Chapter 1
Chapter 1
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DEDICATION For every soul who has ever left home in the service of a vision greater than themselves.
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Dear Mina,
I'm writing this from a bus that smells like diesel and empanadas, somewhere between Santiago and a town I still can't pronounce properly. Valdivia. It sounds like a spell when the locals say it — the V is soft, almost like a B, and the whole word rolls off the tongue with a warmth that English can never replicate.
The writings make it sound noble. “The American melting pot of peoples needs the unifying power of the new Faith of God to achieve its fusion.” That's Bahá'u'lláh. Beautiful, right? What He doesn't mention is the bus that rattles your teeth loose and the pit in your stomach when you realize that you are completely and utterly alone in a country where your Spanish sounds like a drunk toddler.
But here's the thing, Mina. That same pit in my stomach — the one that says you're crazy, go home, this was a mistake — coexists with something else. A conviction. Not a loud, proud conviction. A quiet one. The kind you feel in the center of your chest when you know you're where you're supposed to be, even when everything on the surface is terrifying.
I have a room in a hospedaje — a kind of family-run guesthouse — run by a woman named Señora Paz. She's around sixty, no taller than my shoulder, and she called me "mijita" (my little daughter) within five minutes of meeting me. Her house smells like wood smoke and fresh bread. When I told her, in my stumbling Spanish, that I was here to serve the community, she looked at me for a long moment and said, "Good. This town needs young people who believe in something."
I don't know what's coming next. I have a list of contacts from the National Spiritual Assembly — a few Bahá'ís scattered around the region, some friends of friends, a study circle that meets on Wednesdays. I have a suitcase, a prayer book, and the kind of faith that feels more like a leap than a landing.
I'll write more soon. Miss you already.
With love and altitude sickness, Soraya
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Dear Mina,
It's been three weeks and I want to report that I've done amazing things and transformed a community and am living my best pioneer life.
Lost linguistically — my classroom Spanish is basically useless against the rapid-fire Chilean dialect where they drop half the letters and add "po" to the end of everything. Lost geographically — Valdivia is built on rivers and hills and nothing is on a grid. And lost spiritually, if I'm being honest. I came here expecting to feel God's presence, like a warm blanket or a bright light. Instead I feel... normal. Tired. Confused.
Four people. I was expecting something bigger, more dramatic. But Don Felipe, who has been a pioneer himself — he came from Peru decades ago — told me something that put it in perspective.
"When I arrived here," he said, his Spanish slow and clear for my benefit, "there were zero Bahá'ís in this city. Not one. I held devotionals in my kitchen for my wife and a cat. The cat was more interested than the neighbors."
He laughed, and the laugh was so genuine and undefended that I laughed too.
"Now there are twelve declared Bahá'ís, a study circle, a children's class, and you — a pioneer from the United States who chose to come here. That happened one conversation at a time. One prayer at a time. One act of love at a time."
One conversation at a time. I'm trying to hold onto that.
I thought pioneering was about teaching. It turns out it's mostly about listening. About being genuinely interested in people's lives. About earning the right to share something precious by first showing that you see the person in front of you as precious.
She was quiet for a moment. Then she said, "Come to dinner. I want to hear more."
Small beginnings, Mina. Small beginnings.
Con amor, Soraya
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Dear Mina,
Last night I hosted my first devotional gathering and I need to tell you everything.
I expected maybe three people to come.
Nine people showed up.
Nine! Including Señora Paz, who had apparently invited her sister, her neighbor, and her neighbor's adult son Manuel, who is a musician and brought his guitar.
My tiny room was packed. People sat on the bed, on the floor, on cushions I'd borrowed. And for some reason, despite the cramped space and my still-imperfect Spanish, there was an atmosphere I can only describe as sacred.
We started with a prayer from Bahá'u'lláh — I read it in Spanish, and Don Felipe read it in English, and somehow the double reading made it more powerful, not less. Then Manuel played a song he'd written, a simple melody about light and water that brought tears to Camila's eyes.
Then I did something unplanned. I asked if anyone wanted to share a prayer or a reading from any tradition. I expected silence.
And Andrea — teenager Andrea, phone-addicted Andrea — put down her phone and said, quietly, "I have a prayer too." She recited the short obligatory prayer from the Bahá'í writings, perfectly, from memory. Her mother's jaw dropped. Apparently Andrea had been memorizing it secretly.
After the prayers, we drank tea and talked. Not about theology or philosophy. Just about life — about what gives us strength, what we hope for, what we're grateful for. The conversation moved between Spanish and my broken attempts, and people were patient and kind.
When everyone left, around ten o'clock, I sat on my bed in my candle-lit room surrounded by the lingering smell of flowers and sopaipillas, and I cried.
Not sad tears. The other kind. The kind that come when something you've been carrying for a long time suddenly gets lighter. The kind that come when you realize that the thing you were searching for was already in the room, hiding in the spaces between people.
This is what devotional gatherings are supposed to be, I think. Not a performance. Not a sermon. Just people, being human together, reaching for something higher than themselves.
I'm starting to understand why pioneers go. Not to bring God to other people — God was already here. But to create a space where people can find each other. And in finding each other, find something sacred.
The next gathering is in two weeks. Manuel is already composing new songs.
Wishing you were here to see this, Soraya
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Dear Mina,
Not every letter is going to be beautiful. This one is about the hard days.
I've been here three months now and the loneliness hit this week like a wave I didn't see coming. It's not that I'm alone — I have Camila and Don Felipe and Señora Paz and the growing circle of friends. It's that I'm far. Far from everything familiar. Far from people who know the old me, the one who existed before I became a pioneer.
The triggers are stupid and small. A song on the radio that reminds me of driving with you. The taste of something that's almost like my mom's cooking but not quite. A joke that doesn't translate. The way evening light falls on a wall in a way that makes me ache for home without knowing why.
I tried to pray through it but the words felt like cotton in my mouth. I tried to read the writings but the sentences slid off my brain. I sat on my bed and stared at the wall and wondered if I'd made the biggest mistake of my life.
Then Señora Paz knocked on my door.
"Mijita," she said, "you look like someone who needs soup."
She didn't ask what was wrong. She didn't offer advice. She just led me to her kitchen, sat me at the table, and put a bowl of cazuela — a rich broth with corn and squash and chicken — in front of me. She sat across from me and ate her own bowl and told me a story about when she was young and moved from the countryside to Valdivia and cried every night for a month.
"The first month is excitement," she said. "The second month is adventure. The third month is when you find out if you're really going to stay."
"How do you know if you should stay?"
She thought about it. "You stay if the reason you came is bigger than the reason you want to leave."
The reason I came. I let the words settle.
I came because I believe something matters. I believe that human beings are noble, that the world can be unified, that the principles I was raised with are true — or at least, true enough to bet my life on. I came because the plan of God calls for people to arise and go to the places where they're needed. I came because, at some fundamental level, my soul said yes.
And the reason I want to leave? Because I'm lonely. Because it's hard. Because the results are slow and I'm imperfect and my Spanish still isn't good enough and sometimes I wonder if anything I do here matters.
Señora Paz's reason for staying won.
True education. Maybe that's what this is. Not the education I came to give, but the education I came to receive. Maybe the whole point of pioneering isn't to transform a community. It's to be transformed.
I'm staying.
Love through tears, Soraya
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Dear Mina,
The declaration itself was quiet. He came to me after a study circle and said, "I've been reading and thinking and praying — in my own way — and I believe what Bahá'u'lláh taught. I want to be a Bahá'í."
I tried to be composed but my eyes did the thing where they fill up without permission. Diego just smiled and said, "I know. It surprised me too."
What I love about his story is that nobody pushed him. Nobody gave him a sales pitch. He came to the study circle because Camila invited him. He came to the devotionals because the atmosphere moved him. He started reading the writings because the ideas resonated with something he already felt but couldn't name.
That's how it's supposed to work. Not coercion. Not persuasion. Just creating a space where truth can be encountered, and then trusting people to find it.
Señora Paz, who hasn't declared and may never declare — that's her choice and it's a beautiful one — has become the heart of our devotional gatherings. She brings the food, arranges the flowers, and has memorized more Bahá'í prayers than some lifelong Bahá'ís I know. When I asked her why she does all this, she said, “Unstop, then, the ear of thine heart that thou mayest hearken unto the speech of the Divine Lote-Tree that hath been raised up in truth by God, the Almighty, the Beneficent.”
Andrea — remember her, the teenager with the phone? — has become an entirely different person. She's memorized pages of the writings, started teaching a children's class for the neighborhood kids, and recently told her mother that she wants to do a year of service after she finishes school. Camila cried for an hour.
Manuel, the musician, has composed an entire album of songs inspired by Bahá'í prayers and concepts. He performs them at the devotionals and they are heartbreakingly beautiful. He's started teaching guitar to some of the children's class kids.
And Don Felipe — dear, patient, old Don Felipe who held devotionals for his cat — sits at every gathering with tears streaming down his face, watching the community he prayed for decades to see finally taking shape.
This is what the writings mean when they talk about community building. It's not a program. It's not a system. It's the organic, messy, slow, glorious process of human beings learning to come together in the name of something greater than themselves.
I'm not the same person who got on that bus six months ago. I'm more patient. More humble. More certain of the things that matter and less attached to the things that don't.
The pioneer doesn't change the place. The place changes the pioneer.
With a full heart, Soraya
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Dear Mina,
It's Naw-Rúz. The Bahá'í New Year. The first one I've celebrated away from home.
We held it at Señora Paz's house, which has become our unofficial community center. She insisted on hosting, even though it meant rearranging all her furniture and cooking enough food for thirty people.
Thirty people, Mina. Thirty.
When I arrived in Valdivia, there were four people at the study circle. Now, on Naw-Rúz, there are thirty people packed into Señora Paz's living room — Bahá'ís and friends, old and young, Chilean and Peruvian and one very American Bahá'í who still can't roll her Rs properly.
Don Felipe gave the opening prayer. His voice shook, and I don't think it was age. It was the weight of a dream realized.
Then the children — eight of them, from the children's class that Andrea now teaches — performed a skit they'd written about unity. They'd made costumes from paper bags and painted them different colors, and the skit was about how all the colors needed each other to make a rainbow. It was simple and imperfect and I had to pretend I had something in my eye.
After the devotional program, we shared food. Señora Paz's empanadas, Camila's pastel de choclo, Isabel's fruit salad, and — because I insisted — my mother's recipe for sabzi polo, which I'd made with Chilean herbs and which actually turned out decent.
Manuel played his songs. People danced. The children ran around the garden screaming with joy. Don Felipe fell asleep in his chair and nobody woke him because he looked so peaceful.
At some point during the evening, Señora Paz found me in the kitchen washing dishes. She took the sponge from my hand and held both of my hands in hers.
"You came here alone," she said. "You were so small and scared and your Spanish was terrible."
"It's still terrible."
"It's better." She squeezed my hands. "But listen. You came here alone, and look what happened. Look what God did through one small girl who believed something enough to cross the world for it."
I want to tell you that I said something wise and humble. What I actually said was nothing, because I was crying too hard.
Mina, I don't know what comes next. The Universal House of Justice's plan calls for more pioneers, more study circles, more communities being built in every corner of the earth. There's so much work to do. And I'm just one person in one small town in one small country.
But you know what? That's enough. One candle can light a whole room. One person, sincerely dedicated, can transform a community. Not through power or cleverness, but through love. Just love.
I'm staying another year. Maybe longer. We'll see. The plan unfolds one day at a time.
Tell my parents I love them. Tell them I understand now why they left Iran. Tell them their daughter is becoming the person they prayed she'd be.
Happy Naw-Rúz, dear friend. Happy New Year. Happy new everything.
Forever yours, Soraya
P.S. My Spanish is getting really good. Manuel says I only sound like a drunk toddler some of the time now. Progress.
THE END
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ABOUT THE AUTHOR Crimson Ark Publishing creates fiction that celebrates the courage of ordinary people doing extraordinary things in service to humanity. Inspired by the stories of Bahá'í pioneers around the world — men and women who leave their homes to build communities of love and unity — our books honor the spirit of sacrifice and the transformative power of sincere service.
